
40.63° N · 14.60° E · Amalfi, Tyrrhenian Italy
Amalfi2190-1
A warm honey-amber — deep and alive.
Colour measured with an instrument — not judged by eye.
Vivid, generous warmth — deepens to gold under late light.
THE FLOOR · SEEN UP CLOSE

The tones in this floor
Sampled from the real plank — light boards to dark, as you would lay them. Six tones, not one square.
SEE IT AT 1:1The grain, the joint and the floor under three lights


Original pixels — 3.52 per millimetre. Nothing enlarged, nothing retouched. The rule is printed at the plank’s own scale, so you can measure it yourself.

Move the light — the plank is measured and locked; only the light changes.
WHAT THIS FLOOR ACTUALLY IS
- Handles everyday spills — kitchens and dry interiors, detailed correctly
- Water-resistant for everyday use. Not a waterproofing system. Not a flood-proof claim. Clean with a damp mop; remove free water promptly.
- Warm underfoot — ready for underfloor heating
- Compatible with underfloor heating — declared for the product family, not measured by us per batch. The floor floats, so it follows the heat without being fixed to the screed.
- Made for daily life — chairs, shoes, pets
- Real long planks — a calmer, continuous floor
- Full 1.83 m boards with a fine four-sided micro-bevel — our declared joint.
- Ultra-matte — reads as real floor, never plastic
Good to know Think twice if you want a quiet, recessive floor — this is one of our most present, saturated tones.

CHOOSING · IS THIS THE RIGHT FLOOR
ARCHITECTURAL POSITION
2190-1 is the warmest floor of the eighteen and the most varied — the largest board-to-board difference we measure. That is the model: honey-amber colour with real light-to-dark movement across the field, and knots that belong to the drawing rather than interrupt it. It is a floor a room is built around, not one it is laid over.
Where it works
- Rooms with space, where a lively floor has room to resolve
- Chalk-white and pale travertine schemes that need one generous warm plane
- Interiors seen mostly in late, warm light
- Living and dining floors meant to be noticed
Where not to oversell it
Not for wet areas, standing water or as a ceramic replacement, and not solid timber. It is also the wrong floor for anyone who wants a quiet, uniform ground — the board-to-board difference is the largest we make, and it is visible in every light.
Best beside
- Chalk white and lime plaster
- Pale travertine
- One blue-and-white majolica note
- Aged bronze
- Plain undyed textiles, without pattern
Avoid beside
- A second high-chroma surface anywhere in the room
- Gloss and polished sheen
- Lemon-print and resort styling
- Cold blue-white walls
- Patterned rugs competing with the floor
If the room leans that way, the truly distant floors: Sylt 1140-51 · Helsinki 1994-05 · Havana 2410.
THE SIGNATURE · WHERE IT SITS AMONG THE EIGHTEEN
A STARTING PALETTE · ONE FLOOR, FIVE COMPANIONS
Cream and warm limestone are the Amalfi coast stone. Limewash opens the room; one iron profile sets the edge.
Amalfi floor · Limewash white · Cream stone · Warm limestone · Black iron

Amalfi is Mediterranean intensity under control.
The floor under this world stays the real one: Amalfi 2190-1 — the world is read through the model.

AMALFI 2190-1
Some rooms are calm. Some are alive.
Plenty of floors hold a room. Few make it sing.
- Enquiry
- Personal specification
- Your floor
A person replies — never an autoresponder
BEFORE YOU ASK · WHAT A QUOTE HERE MEANS
What it includes
A quote is itemised line by line — boards for your area, edge and threshold profiles, and anything else the job needs. Nothing bundled, nothing assumed.
How it arrives
Send the rooms and their approximate area — by form or WhatsApp. The itemised quote comes back to you personally.
Why no public price list
A floor is priced from its specification: the model, the area, the condition of the existing base and the finishing details. A number published before those are known would be a guess — we don’t guess. Asking costs nothing and commits you to nothing.


