
23.11° N · 82.37° W · Havana, Cuba
Havana2410
The darkest, deepest tone — a floor that gives a room gravity.
Colour measured with an instrument — not judged by eye.
A shaded, grounding mass — the steady base under warm, moving light.
THE FLOOR · SEEN UP CLOSE

The tones in this floor
Sampled from the real plank — light boards to dark, as you would lay them. Six tones, not one square.
SEE IT AT 1:1The grain, the joint and the floor under three lights


Original pixels — 3.91 per millimetre. Nothing enlarged, nothing retouched. The rule is printed at the plank’s own scale, so you can measure it yourself.

Move the light — the plank is measured and locked; only the light changes.
WHAT THIS FLOOR ACTUALLY IS
- Handles everyday spills — kitchens and dry interiors, detailed correctly
- Water-resistant for everyday use. Not a waterproofing system. Not a flood-proof claim. Clean with a damp mop; remove free water promptly.
- Warm underfoot — ready for underfloor heating
- Compatible with underfloor heating — declared for the product family, not measured by us per batch. The floor floats, so it follows the heat without being fixed to the screed.
- Made for daily life — chairs, shoes, pets
- Real long planks — a calmer, continuous floor
- Full 1.83 m boards with a fine four-sided micro-bevel — our declared joint.
- Ultra-matte — reads as real floor, never plastic
Good to know Think twice for a cool, bright, minimal interior — this ground reads warm and deep.

CHOOSING · IS THIS THE RIGHT FLOOR
ARCHITECTURAL POSITION
2410 is the darkest floor of the eighteen, and it is dark without being red — the chroma stays low, so the depth arrives as weight rather than as colour. Pale walls gain an edge against it and a large room stops drifting. It is the one ground here that can carry a warm earth-coloured wall without closing the room in.
Where it works
- Living and dining rooms that need anchoring rather than opening
- Large or open plans where a pale floor loses its edges
- Warm mineral schemes: faded ochre, washed terracotta, hydraulic tile
- Rooms with good daylight, where depth is a choice and not a compromise
Where not to oversell it
Not for wet areas, showers or standing water, not a ceramic replacement, and not solid timber. It is also the wrong ground for a small, dim room, or for a cool white minimal scheme — against sterile white it reads as a hole rather than a base.
Best beside
- Faded ochre plaster
- Washed terracotta and hydraulic tile
- Limewash in a warm white
- Dusty teal, used once
- Brass and blackened metal
Avoid beside
- Cold blue-white walls
- High-gloss surfaces of any kind
- Grey stone with a blue cast
- Bright saturated accent colour
- Tropical resort styling
If the room leans that way, the truly distant floors: Sylt 1140-51 · Helsinki 1994-05.
THE SIGNATURE · WHERE IT SITS AMONG THE EIGHTEEN
A STARTING PALETTE · ONE FLOOR, FIVE COMPANIONS
The one floor that carries a warm earth wall. Limewash lifts it, light wood keeps it tropical — never a cold wall against this dark ground.
Havana floor · Earth · Limewash white · Light wood · Cream stone


Havana is shade, mass and coloured filtered light.
Havana, Cuba · 23.11° N · 82.37° W
The floor under this world stays the real one: Havana 2410 — the world is read through the model.

HAVANA 2410
Some rooms feel light. Some feel deep.
A bright room is easy. A room with depth is rare.
- Enquiry
- Personal specification
- Your floor
A person replies — never an autoresponder
BEFORE YOU ASK · WHAT A QUOTE HERE MEANS
What it includes
A quote is itemised line by line — boards for your area, edge and threshold profiles, and anything else the job needs. Nothing bundled, nothing assumed.
How it arrives
Send the rooms and their approximate area — by form or WhatsApp. The itemised quote comes back to you personally.
Why no public price list
A floor is priced from its specification: the model, the area, the condition of the existing base and the finishing details. A number published before those are known would be a guess — we don’t guess. Asking costs nothing and commits you to nothing.



