
43.48° N · 1.56° W · Biarritz, Atlantic France
Biarritz612
A light, composed oak — the steadiest field we measure.
Colour measured with an instrument — not judged by eye.
Luminous and mineral-restrained — an even counterpoint to white plaster and grès.
THE FLOOR · SEEN UP CLOSE

The tones in this floor
Sampled from the real plank — light boards to dark, as you would lay them. Six tones, not one square.
SEE IT AT 1:1The grain, the joint and the floor under three lights


Original pixels — 2.7 per millimetre. Nothing enlarged, nothing retouched. The rule is printed at the plank’s own scale, so you can measure it yourself.

Move the light — the plank is measured and locked; only the light changes.
WHAT THIS FLOOR ACTUALLY IS
- Handles everyday spills — kitchens and dry interiors, detailed correctly
- Water-resistant for everyday use. Not a waterproofing system. Not a flood-proof claim. Clean with a damp mop; remove free water promptly.
- Warm underfoot — ready for underfloor heating
- Compatible with underfloor heating — declared for the product family, not measured by us per batch. The floor floats, so it follows the heat without being fixed to the screed.
- Made for daily life — chairs, shoes, pets
- Real long planks — a calmer, continuous floor
- Full 1.83 m boards with a fine four-sided micro-bevel — our declared joint.
- Ultra-matte — reads as real floor, never plastic
Good to know Think twice if you want boards that differ — this ground is deliberately uniform.

CHOOSING · IS THIS THE RIGHT FLOOR
ARCHITECTURAL POSITION
612 is light and among the most consistent floors of the eighteen — the difference from board to board is small, so it lays as a single composed field rather than as a set of individual boards. Small pin-knots are the only incident in it. Under clear, directionless Atlantic light that evenness is what keeps white plaster and grey stone in charge of the room.
Where it works
- Living, dining and bedrooms in bright, clear light
- Mineral schemes built on white plaster and grey stone
- Long or open floors where board-to-board variation would be visible
- Rooms where the floor should be composed, not characterful
Where not to oversell it
Not a wet-area floor, not a ceramic replacement and not solid timber. It is also not the floor for anyone who wants strong character underfoot — the evenness is deliberate, and it cannot be added back later.
Best beside
- White lime plaster
- Flint-grey grès and cool stone
- One oxide-red note, used once
- Blackened steel
- Undyed linen and matte weave
Avoid beside
- Gloss and varnish
- High-contrast rustic timber
- Bright saturated wall colour
- Heavy patterned rugs
- Orange-toned oak furniture
If the room leans that way, the truly distant floors: Sylt 1140-51 · Helsinki 1994-05 · Havana 2410.
THE SIGNATURE · WHERE IT SITS AMONG THE EIGHTEEN
A STARTING PALETTE · ONE FLOOR, FIVE COMPANIONS
Limewash white stays clear as Atlantic light. Cream stone softens; dark wood and black iron anchor without shouting.
Biarritz floor · Limewash white · Cream stone · Dark wood · Black iron


BIARRITZ 612
There's bright, and there's clear.
Variation is easy to add. Evenness is harder to hold.
- Enquiry
- Personal specification
- Your floor
A person replies — never an autoresponder
BEFORE YOU ASK · WHAT A QUOTE HERE MEANS
What it includes
A quote is itemised line by line — boards for your area, edge and threshold profiles, and anything else the job needs. Nothing bundled, nothing assumed.
How it arrives
Send the rooms and their approximate area — by form or WhatsApp. The itemised quote comes back to you personally.
Why no public price list
A floor is priced from its specification: the model, the area, the condition of the existing base and the finishing details. A number published before those are known would be a guess — we don’t guess. Asking costs nothing and commits you to nothing.

Also made as a long plank
The same floor, at full length.
Identical décor, identical measured colour, identical build — 228 × 1830 mm boards instead of 100 × 600 mm pieces.
